Through years of collaboration, touring, and session work, Nina has developed her craft right on the boundaries between pop and alternative. On her debut EP The Flowers I See You In, Ninush offers something emotionally resonant, rich in character and playfully kaleidscopic.
Made in close collaboration with producer and multi-instrumentalist Sam Tsang (Bon Iver, Griff, Chloe Qisha), the pair work freely and without constraint. All The Flowers I See You In may have Pop sensibilities, but could hardly be described as a Pop record. Lim is far more concerned with creating exciting, intricate worlds to explore.
Ninush’s most recent release I Don’t Mind typifies this approach. The repeated piano chords ring like a train on tracks, Lim invites the audience to come aboard and watch the world come into full-bloom through the window.
Though often grounded in irreverent, catchy hooks, Nina leads you into a rich and intimate musical landscape. Full of deep emotional resonances and complex sonic textures (both orchestral and electronic).
The End features Lim’s songwriting at its most maximalist and epic. From delicate, uncanny vocal glitches the song grows and grows into crashing orchestral waves that wouldn’t be out of place in a blockbuster.
The record is a rich blend of her influences and experiences: simultaneously intimate and expansive, grounded in the world she’s grown up in but reaching beyond it to something deeply personal and new.
Art Pop / Alternative Folk
Debut EP : ‘The Flowers I See You In’
February 6th 2026 with The Bird Records(Stardoll, The End out now. I Don’t Mind out November 18th. Tormentor and Lady In Waiting embargoed until Feburary 6th)
Spotify
Monthly Listeners: 43,000
Featured Playlists
Spotify
All New Indie - 714,000 listeners
The Indie List - 1,200,000 listeners
Limelight - 500,000 listeners
undercurrents - 309,000 listeners
All New Pop - 266,000 listeners
The Basement - 8000 listeners
The Spindle - 7000 listeners
Apple Music
Cafe
All New Alternative
Videos
I Don’t Mind - Upcoming Single (18/11/2025)The End
Press (select)
God Is In The TV - 'The End': Tracks Of The Week
‘The juxtaposition of organic strings and choral samples reminds one of elements of Joanna Newsome or Bjork; it’s a celestial first offering from an artist clearly stretching the boundaries of pop music. The chorus is wonderful crashing into an orchestrated and cinematic outro.’
Hard Of Hearing - 'The End'
‘Over delicately glitching vocal samples and twisted woodwind, Nina Lim’s voice floats sombrely, singing of stasis and a desire for things to remain as they are. Lim’s arrangements are majestic with planing strings, prickling harp plucks and orchestral drum swells producing a work that is cinematic and utterly arresting.’
Clash - ‘Left Of The Dial Ones To Watch’
‘The solo project of Nina Lim is a gorgeous endeavour, a perfect blending of experimental, glitching electronica and classically-trained violin playing, brought together by Nina’s gentle vocals.’
Instagram
5700 followersTik Tok
1590 Followers 17,900k LikesUpcoming Shows
14th November - Circuit Break Launch Festival, Garibaldi Hotel (London)
18th November - Plastic Factory, Next Door Two (London)
20th November - Works In Progress, Theatreship (London)
18th December - Brixton Windmill (London)
13th January - DIY Hello 2026, The Lexington (London)
23rd January - We Will Folk You Festival (Dunkirk)
Contact:
charlie.williams@redlightmanagement.com
dan.potts@redlightmanagement.com
jack.blurton@redlightmanagement.com
mita@thebirdrecords.com
charlie@thebirdrecords.com